© XAVIER RIBAS - NITRATE exhibition at MACBA, June 2014 - Installation views of the work NITRATE [2010-1024] [Installation photographs: Marc Roig]

 


Museu d'Art Contemporani de Barcelona [MACBA], June 2014

 

 

Since 2009, Xavier Ribas has devoted his photographic practice to looking into the natural history of Chilean nitrate in response to the 19 Century photographic album Oficina Alianza and Port of Iquique 1900 held in the collection of the Museo Universidad de Navarra (MUA), in Pamplona. The result of this investigation is a large body of work researched and photographed in Chile, Great Britain, Spain and the United States.

Xavier Ribas' project Nitrate explores the legacies of Chilean sodium nitrate, a nonrenewable natural resource extensively mined in Northern Chile between 1870's and 1920's by foreign capitalists, mostly British, who in relatively few years transformed a portion of the Atacama desert into an industrial landscape. Sodium nitrate was an important commodity traded mainly as a natural fertiliser, but it was also used in the manufacture of explosives making it a crucial ingredient for the acceleration of both life and death.

The various photographic series, texts and video that make up the work, trace the route of Chilean nitrate from natural mineral state, processed in the 'oficinas' of the Atacama Desert, through transported commodity and stock market exchange value to become, ultimately, part of the material and symbolic inheritance of mansions and estates in London and the English countryside. It documents geographically disparate but historically connected landscapes – remote nitrate fields and metropolitan financial districts – as well as archives and artifacts.

In this body of work, practices relating to various institutions and interests have come together, such as the research in libraries and archives, interviews and fieldwork trips, as well as the gathering of miscellaneous materials. This confluence of knowledges, methods and modes of communication that spills over the bounds of photography as a medium, impels us to consider Nitrate as a documentary dispositive, that is to say, a collection of works that can be read both as an interrelated whole and autonomously. Most of the works comprising Nitrate include the photographic image alongside archival images, data, reports, news items, inventories, lists and even objects, proof that the documentary dispositive can take any form except that of a photographic genre tending to fixate meaning.

Nitrate is part of the AHRC funded project Traces of Nitrate. Mining History and Photography Between Britain and Chile, developed at the University of Brighton in collaboration with historian Louise Purbrick and photographer Ignacio Acosta.

http://tracesofnitrate.org

 

 

 

 

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Installation photographs: Marc Roig and Xavier Ribas

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Review by Laura Vallés at CONCRETA [En] - [Cast]
Download PDF [En] - [Cast]

 

The exhibition Nitrate at MACBA also included works from the previous series Sanctuary [2002] and Concrete Geographies [2002-2009]. For installation photographs of this retrospective section see HERE